Monday, October 17, 2016

Phil Fed Up With Faul

One of the traits PID researchers have noticed is the difference in personalities between the real Paul McCartney and the impostor, Faul. The latter seems to be insufferably arrogant - even to other star musicians. Here is an excerpt from a new article in which Phil Collins (Genesis) says he can't stand Sir(pent) Paul.

'You f, you f': Phil Collins was left fuming with Beatles star Paul McCartney following an awkward encounter at Buckingham Palace as he admits to secret 14 year feud

By Joanna Crawley and Marc Jackson for MailOnline

Published: 17 October 2016

They're two legends of the music world.But Phil Collins has revealed a secret 14 year feud with his one-time 'hero' Paul McCartney.The musician has told The Sunday Times that he's held a grudge against The Beatles star ever since Sir Paul supposedly made a condescending remark backstage at a Buckingham Palace gig...
The former Genesis frontman, 65, admits he stopped being a fan of Sir Paul, 74, when they both took part in the Queen's Golden Jubilee celebrations back in 2002.
'I said, "Hey Paul, do you mind signing this for me?" and he said, "Oh Heather, our little Phil's a bit of a Beatles fan,"' the singer told The Sunday Times. 'And I thought, "You f---, you f---." Never forgot it.'
'McCartney was one of my heroes. But he has this thing when he's talking to you, where he makes you feel... (like), "I know this must be hard for you, because I'm a Beatle. I'm Paul McCartney and it must be very hard for you to actually be holding a conversation with me".'...

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Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe

Friday, October 7, 2016

"Strawberry Fields Forever": Post-Paul Programming in Beatles' Music

Strawberry Fields Forever - Restored HD Video

Lyrics

Let me take you down
'Cause I'm going to Strawberry Fields
Nothing is real
And nothing to get hung about
Strawberry Fields forever

Living is easy with eyes closed
Misunderstanding all you see
It's getting hard to be someone
But it all works out
It doesn't matter much to me

Let me take you down
'Cause I'm going to Strawberry Fields
Nothing is real
And nothing to get hung about
Strawberry Fields forever

No one I think is in my tree
I mean it must be high or low
That is you know you can't tune in
But it's all right
That is I think it's not too bad

Let me take you down
'Cause I'm going to Strawberry Fields
Nothing is real
And nothing to get hung about
Strawberry Fields forever

Always know sometimes it's me
But you know I know when it's a dream
I think I know I mean a "Yes"
But it's all wrong
That is I think I disagree

Let me take you down
'Cause I'm going to Strawberry Fields
Nothing is real
And nothing to get hung about
Strawberry Fields forever

[I buried Paul]

Dr. Hans Utter discusses "Strawberry Fields Forever" at approx. 1:30:00 in the video below:

Dr. Hans Utter – “Music, Mind Control, and Psychobiology, Pt. 6” – #237

https://www.youtube.com/watch?v=UTrNRlLlvqk

Here is a summary of the points Dr. Utter made:

There is one-eyed Illuminati symbolism in the promotional video

Piano strings are splayed out like innards or like a maze or spider web

There are 13 beads on the power line, which is a satanic number

The music sounds like one is going down a tunnel [rabbit hole?]

The tension in the song feels like one is trapped in the psychological space of “Strawberry Fields”

The use of Aleister Crowley-inspired backwards music (reverse temporal loop) and weird musical dissonances in song (recorded twice and spliced together, but are not quite aligned) mirror a Batesonian schizoid split

The swirling sounds seem to map interior psychic space

The lyrics seem to create a double bind psychological loop that imposes social control

The Beatles are authority figures manipulating the inner mental space

They manipulate the listener by bringing him/her close, then dismissing them ("doesn’t matter much to me")

John Lennon (the singer) takes the role of the puppet master, in that he knows it’s a dream, but you might not

Lennon is a wishy washy persona that is embedding "wisdom" (first he says yes, then no)

"Let me take you down" appears to be a hypnotic suggestion leading to an altered state

"Nothing to get hung about" may refer to the Hanged Man in the Tarot, which could symbolize the death of the self

The tree metaphor could refer to the Tree of Life, or of Jesus being hanged on the cross or hanged from a tree. This could mean that the listener is free from making such a sacrifice

"No one I think is in my tree" could mean that there is no savior

"I mean it must be high or low" may be an inversion of the values represented by the Tree of Life

"Nothing is real" - does this mean everything is permitted? As in Crowley's "do what thou wilt" philosophy?

The lyrics suggest that you can’t know - turn on, tune in (to neural network in brain?), drop out, which destabilizes the personal identity

Hypnotic language and embedded hypnotic suggestions encourage the listener to not think, which furthers a dumbing down agenda, which leads to easier social control

These mind control techniques will be more effective if the listener does not notice

In my opinion, "Strawberry Fields Forever" appears to be an experiment in mass hypnosis. Certain concepts are being implanted in the listener's mind. The Illuminati will use any avenue available to them to increase their control. I think Paul McCartney was against using music to disseminate subliminal messages to the masses.

Pray for the lost souls.

______________________________________

Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe

Forbidden Secrets of the Illuminati:

The Luciferian Deception

Thursday, October 6, 2016

"I am the Walrus": Post-Paul Programming in Beatles' Music

"I am the Walrus" - The Beatles (Magical Mystery Tour, 1967)

I am the walrus from Macarena Cabrera / Guindadesign on Vimeo.

Lyrics

I am he as you are he as you are me
And we are all together
See how they run like pigs from a gun see how they fly
I'm crying

Sitting on a cornflake waiting for the van to come
Corporation tee shirt, stupid bloody Tuesday
Man you been a naughty boy. You let your face grow long
I am the eggman, they are the eggmen
I am the walrus, goo goo g' joob

Mister City Policeman sitting, pretty little policemen in a row
See how they fly like Lucy in the sky, see how they run
I'm crying, I'm crying
I'm crying, I'm crying

Yellow matter custard dripping from a dead dog's eye
Crabalocker fishwife pornographic priestess
Boy you been a naughty girl, you let your knickers down
I am the eggman, they are the eggmen
I am the walrus, goo goo g' joob

Sitting in an English garden waiting for the sun
If the sun don't come
You get a tan from standing in the English rain
I am the eggman, they are the eggmen
I am the walrus, goo goo g' joob goo goo goo g' joob

Expert texpert choking smokers
Don't you think the joker laughs at you? (Ho ho ho! He he he! Ha ha ha!)
See how they smile like pigs in a sty, see how they snied
I'm crying

Semolina pilchard climbing up the Eiffel Tower
Elementary penguin singing Hare Krishna
Man you should have seen them kicking Edgar Allan Poe
I am the eggman, they are the eggmen
I am the walrus, goo goo g' joob goo goo g' joob
Goo goo g' joob goo goo g' joob
Goo gooooooooooo jooba jooba jooba jooba jooba jooba

Dr. Hans Utter discusses “I am Walrus” at approx. 1:45:00 in the video below:

Dr. Hans Utter – “Music, Mind Control, and Psychobiology, Pt. 6” – #237

https://www.youtube.com/watch?v=UTrNRlLlvqk

Briefly summarizing what Dr. Utter says, he mentions that there are odd musical elements and refers to Alan Pollack, who wrote the following:

The song is ostensibly in the home key of A Major, but a number of harmonic factors keep you off balance and give the song what I sometimes describe as a perilously high center of gravity...
The overall effect of the orchestration is surreal in a manner analogous to that of a colorized classic film. The overlay of orchestra and chorus underscores various details of imagery in the words and music with exaggerated gestures suggestive of some crazy cartoon soundtrack...
You're also thrown off balance by the radio intrusion...The chord progression of the outro itself is an harmonic Moebius strip with scales in bassline and top voice that move in contrary motion...

Alan W. Pollack, "Notes on 'I Am The Walrus'", 1996

The human centipede in the video looks like lobotomized mental patients

"Sitting on a cornflake" is an example of spatial distortion

"I am He" refers to the merging of the individual with the hive mind (identity distortion)

The animal masks are dissociative from the individual

"Pigs" are a reference to Charles Manson

Binary values become opposing forces that subsume individual - one gets caught in a cybernetic loop within the mind (for ex. the more rebellious one becomes, the more one has to bow to counter-culture gods)

The system takes on its own momentum and will eventually destroy itself or create its opposite (resulting in no equilibrium)

Psychological language might be operating directly on the consciousness

In my opinion, "I am the Walrus" attempts to implant unreal imagery in the listener's mind. It was an experiment in mind control. The Beatles (post Paul McCartney), aligned with the Tavistock Institute, were agents of change. The Beatles were being used to disseminate distorted music with the intention of distorting people's thinking. The Illuminati masters do not want their subjects to be able to think clearly. As long as people's thinking is hindered, they are susceptible to control. Psychedelic music combined with LSD confused many people's thinking. Control was the primary objective.

__________________________________________________

Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe

Forbidden Secrets of the Illuminati:

The Luciferian Deception

Music: Mechanism of Mass (Marxist) Manipulation

For centuries, philosophers, psychologists, and politicians have sought to control public opinion. Early on, it was discovered that people were susceptible to being manipulated by music. In these interviews, musicologist Dr. Hans Utter discusses the history, theory, and outcomes of musical mind control.

It is my opinion that Paul McCartney was replaced in furtherance of the Illuminati social-engineering agenda. Understanding the mechanics of mass mind control through music is part of the PID puzzle.

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