Get Your Freq On: Music, Beatles, and the War of Good vs. Evil

The Beatles deeply touched very different people from all over the world. Their music went past cultural cleavages and spoke to people with whom they had very little in common. Musicologist Daniel J. Levitin recounted, “On the bus recently, the radio played ‘And I Love Her,’ and a Portuguese immigrant about my grandmother's age sang along with her eyes closed.”

The Beatles seem to be something beyond ordinary people. They manifested an unexpected love and energy, and an ability to touch people's souls. “Beatlemania” showed the level of admiration and enthusiasm for them and their music. Was it just inspiration or was something else at work?

In this article, Exopolitics founder, Michael Salla, explores the possibility that “Celestials” might be intervening on Earth to “raise the consciousness of those ready to assist the Earth’s evolution by balancing technological progress with spiritual awareness.” The theory that Paul McCartney (and the other Beatles) might have been celestials/light beings on a mission to elevate humanity to a higher level of consciousness was discussed in Were the Beatles Angels? As musicians, the Beatles were engaged in the war of Good vs. Evil on the battlefield of popular music, because, unfortunately, music has been used by the Power Elite as a weapon against humanity.

Music can be used to affect the human body because of its vibrations. The body is made up of nearly eighty percent water, and water is a liquid crystal superconductor. The frequency of the music can impact consciousness, biology, physiology, health, and behavior. Music can and has been used to manipulate culture and consciousness.

The Elite have used frequency to exert power and control over the masses. Thomas D. Schauf explained that, “[a]s a result of this influence, the arc of Western Civilization has gone from ‘ascent’—belief in God—focused on the higher centers of love, joy, purity and selflessness, to descent . . . focused on the lower centers of consciousness like those of power, wealth and physical gratification.”

The powers that be have militarized music for cultural manipulation, in part, by making A=440Hz “standard tuning” the international ISO 16-standard (done in 1953). This refers to the musical note A above middle C. A=440Hz frequency music conflicts with human energy centers (chakras). Musicologist Brian T. Collins complains that “[t]he current tuning of music based on A=440 Hz does not harmonize on any level that corresponds to cosmic movement, rhythm, or natural vibration.”

A= 440 Hz stimulates the third eye chakra, thereby working on the ego and left-brain “thinking” function. At the same time, it suppresses intuition and creativity. This frequency also causes listeners to experience greater aggression, psychosocial agitation, and emotional distress. At this frequency, the body vibrates musically, audibly and subliminally to a frequency that resonates with aggression and in dissonance with love. This can predispose people to mental and physical illnesses.

More natural musical frequencies that further health, harmony, and peace have been suppressed. However, “[m]usicians who are spiritually-sensitive to pitch are compelled instinctively to reject intrusions to pure creativity in harmony with the flow of sacred cosmic energy.” [Source] Such musicians intuitively prefer tuning up or down from A=440Hz to more natural alternatives, such as A=432Hz. The Beatles were just such musicians. Cliff Richard may have thought they were “out of tune” at times, but the Beatles were actually playing in 432 Hz, such as on the album, “Help.”

Listen: The Beatles - Yesterday (432 Hz)

A = 432 Hz is a healthier, more life-affirming frequency because it vibrates on the principals of natural harmonics, being mathematically consistent with the Fibonacci golden spiral and universal design. Music at this frequency has been described as “nicer for hearing, softer, brighter and more beautiful than music in 440 Hz.” 432 Hz music also has greater clarity and less noise pressure than 440 Hz. “Mozart and Verdi both based their music on natural vibration,” writes Collins, “and A=432 was nicknamed the ‘Verdi tuning.’”

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A = 432 Hz natural tuning has profound effects on both consciousness and on the cells of the body. This frequency “unifies the properties of light, time, space, matter, gravity and magnetism with biology, the DNA code and consciousness.” 432 Hz stimulates the heart chakra, and listening to music tuned to that frequency will further spiritual development. Collins advocates using A=432Hz tuning in music therapy to further spirituality. Those in ancient times knew of the benefits of 432 Hz tuning, and musical instruments from ancient Egypt and Greece were tuned to that frequency.

Music can be used to advance health, spirituality, and peace if musicians tune to more beneficial frequencies. The Beatles, in tuning to the “good vibrations” of 432 Hz, used frequency in their effort to raise consciousness regarding a number of issues, such as love, spirituality, and even government oppression. They also used an “intricate and beautiful interplay of rhythm, harmony and melody” and incorporated classical elements, such as Bach-like countermelodies and plagal cadences into their songs. As L’Osservatore Romano put it, “Forty years later, the Beatles... are a consolation against the continual assault on music lovers by the record industry.”

__________________________________________________

Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Add Tina as a friend on MeWe

Order "Forbidden Secrets of the Illuminati"

REFERENCES

Leonard G. Horowitz, DMD, MA, MPH, DNM(hon.), “MUSICAL CULT CONTROL:

THE ROCKEFELLER FOUNDATION’S WAR ON CONSCIOUSNESS THROUGH THE IMPOSITION OF A=440HZ STANDARD TUNING,” available at http://web.mac.com/len15/MUSICAL_CULT_CONTROL/Leonard_G._Horowitz.html

Daniel J. Levitin, “It Was 40 Years Ago Today,” Washington Post, June 1, 2007, available at http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html?hpid=opinionsbox1

Michael E. Salla, M.A., Ph.D., “Are Celestials Assisting Humanity... in Relations with Extraterrestrial Life?,” Exopolitics Journal, January 2009, available at http://www.bibliotecapleyades.net/exopolitica/esp_exopolitics_ZZZZZZZ.htm

“Back to 432 Hz (English),” available at http://terugnaar432hz.org/

“432 Music,” available at http://432music.blogspot.com/2011/05/beatles-rubber-soul-432hz.html

SEE RELATED

Were the Beatles angels?

How music is used to manipulate

ALIEN INVASION:
Reptilians, Cetaceans and Frequency Wars on Planet Earth

Paul is Dead (PID) on Check the Evidence w/ Tina Foster

Paul McCartney is Dead Podcast (PID-cast) on Check the Evidence  [LINK]

Andrew Johnson and Tina Foster discuss PID evidence, clues and possible motivations for the murder and replacement of Paul McCartney.

Click to watch video: ODYSEE || BITCHUTE

Download - Tina Foster - Faul - PID - Discussion of the Evidence - 21 Jan 2012 

Recorded January 21, 2012

Was Paul McCartney "Replaced" By a "Double" in 1966?  This article by Andrew Johnson at Check the Evidence website discusses PID evidence, whistleblowers, and how Paul's image has been co-opted by the powers that be to further the Agenda.  Excerpt: Some years ago, I came across some evidence that Paul McCartney had been "replaced" by a "double" - some time in 1966. Paul was replaced by "Faul". This is, again, one of those stories which people can snort with laughter at, as it just seems unbelievable for so many reasons. A close member of my family who, like me, is a fan of the Beatles found it very difficult (impossible even) to entertain the notion that McCartney could have been replaced. Who can blame him - watching things like "Anthology" or any of the numerous Beatles-related documentaries and interviews makes is hard to believe that "Faul" could have the memories that were really Paul's. Nevertheless, the physical evidence is quite compelling - as shown in this detailed analysis here http://digilander.libero.it/jamespaul/fc1.html... Read More

Check the Evidence website [LINK]

__________________________________________________

Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Tina's blog: plasticmacca.blogspot.com

Email Tina at faulconandsnowjob at hotmail dot com.

Add Tina as a friend on MeWe

Forbidden Secrets of the Illuminati:

The Luciferian Deception

ALIEN INVASION:
Reptilians, Cetaceans and Frequency Wars on Planet Earth

"Tomorrow Never Knows" & the Tibetan Book of the Dead

John Lennon wrote "Tomorrow Never Knows," the last track on Revolver, in January 1966. The song has been described by music critic, Richie Unterberger of Allmusic, as "the most experimental and psychedelic track on Revolver, in both its structure and production."

[Source] Some have claimed that the song was written under the influence of the psycho-chemical warfare agent, LSD, and was meant to describe an acid trip. However, the "LSD angle" appears to be a misinterpretation of the song. A re-examination of the song and lyrics reveals that "Tomorrow Never Knows" is actually quite metaphysical. It is describing what one experiences after death.

In the 1960s, prominent Indian yogis began travelling to the West to disseminate their knowledge. The Beatles met Swami Vishnu-Devananda, the founder of Sivandana Yoga, while filming "Help!" in the Bahamas in 1965. Swami gave the lads copies of his book, "The Illustrated Book of Yoga." George Harrison began studying yoga and Eastern religion, and in 1966, he traveled to India to study sitar with Ravi Shankar. [Source]

Harrison's interest in Eastern mysticism appears to have influenced Lennon. According to Peter Brown, the lyrics of "Tomorrow Never Knows" are based on the Tibetan Book of the Dead, also known as Liberation Through Hearing During the Intermediate State and the Bardo Thodol. The text is said to have been composed in the 8th century by Padmasambhava and re- discovered in the 12th century. (Evans-Wentz (1960), p. liv; and, Fremantle and Trungpa (2003), p. xi).

The Bardo Thodol describes what the consciousness experiences after death. The time after death and the interval between death and the next rebirth is known in Tibetan as the bardo, or "liberation." (Fremantle (2001: p.21)). This idea of liberation is related to bodhi in Sanskrit, which means awakening, understanding, or enlightenment. It is also related to nirvana, which means the end of illusion. The Bardo Thodol is recited by Tibetan Buddhist lamas over a dying or recently deceased person "in order for them to recognize the nature of their mind and attain liberation from the cycle of rebirth" [Source]. "Since the deceased's awareness is in confusion of no longer being connected to a physical body, it needs help and guidance in order that enlightenment and liberation occurs. The Bardo Thodol teaches how [one] can attain Nirvana by recognizing the heavenly realms instead of entering into the lower realms where the cycle of birth and rebirth continue." [Source]

The first bardo comes at the very moment of death, when there dawns the Clear Light of the Ultimate Reality. This is the very content and substance of the state of liberation, if only the soul can recognize it and act in a way to remain in that state. The instructions intended to be read at the moment of the person's death are designed to help him do this. He is told, first of all, to embrace this supreme experience not in a selfish and egoistic way but rather with love and compassion for all sentient beings. This will aid him in the second step, which is to realize that his own mind and self is identical with the Clear Light, implying that he himself IS the Ultimate Reality, "the All-good Buddha", transcending time, eternity, and all creation. If he can recognize this while in this supreme state at the moment of death, he will attain liberation-that is, he will remain in the Clear Light forever. This condition is called the "Dharmakaya", the highest spiritual body of the Buddha. [Source]

The lyrics of "Tomorrow Never Knows" describe the period after death when the consciousness is liberated.

Turn off your mind, relax and float down stream It is not dying

The consciousness does not die when the physical body dies.

Lay down all thought Surrender to the void It is shining

That you may see the meaning of within It is being
That love is all and love is everyone It is knowing

In the Tibetan Book of the Dead, the "void" is Reality, the All-Good (Source). It is not nothingness, but rather is "intellect itself, unobstructed, shining, thrilling, and blissful, is the very consciousness, the All-good Buddha." (Id.) The text describes own's own "consciousness, not formed into anything, in reality void, and the intellect, shining and blissful,-these two,-are inseparable. The union of them is the Dharma-Kaya state of Perfect Enlightenment. (Id.) One's "own consciousness, shining, void, and inseparable from the Great Body of Radiance, hath no birth, nor death, and is the Immutable Light-Buddha Amitabha." (Id.)

That ignorance and hate may mourn the dead It is believing

The ignorant mourn the dead. They do not understand the opportunity death offers. It is a chance to be liberated from the cycle of birth, death, and re-birth.

But listen to the color of your dreams It is not living

"The Bardo Thodol teaches that once awareness is freed from the body, it creates its own reality as one would experience in a dream." (Source) This state is not living, it is not dying. It is simply being.

Or play the game existence to the end of the beginning

If a soul does not attain liberation, s/he will be drawn back into the cycle of birth and death.

As I have stated in the past, I do not believe the Beatle pushed the LSD agenda. I feel that this song has been falsely interpreted in order to make it seem as though the Beatles promoted LSD. I hope this re-interpretation will help shed Light on what I believe Lennon and the other Beatles were trying to accomplish: using songs to educate and enlighten others to raise consciousness.

__________________________________________________

Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe

Forbidden Secrets of the Illuminati:

The Luciferian Deception

ALIEN INVASION:
Reptilians, Cetaceans and Frequency Wars on Planet Earth

Rock Gods: Were the Beatles Angels?

Today, June 18, 2011, would have been Paul McCartney's 69th birthday. In honor of that occasion, I would like to indulge in some wild speculation as to whether he and the other Beatles were angels.

Timothy Leary once declared "that The Beatles [were] Prototypes of evolutionary agents sent by God, endowed with a mysterious power to create a new human species, a young race of laughing freemen." (As quoted in Shout! (1981) by Philip Norman, p. 365; and in An Encyclopedia of Quotations about Music (1981) by Nat Shapiro, p. 303 [Link])

The Maharishi Mahesh Yogi told "George and Deepak Chopra that he could never be upset at the Beatles because he always knew they were angels on earth."

[Source: Beatles: Angels on Earth?]

The photographer of some unpublished photos of the Beatles also noted something special about the Pre-Fab Four: "I knew they were going to be successful because they had an aura, and months later they were world famous..."

[Source: "The Beatles new release: Unpublished pictures to go on display after they sat in an attic for 50 years"][Please support this blog by clicking on our sponsors' ad ~ Thanks!]

Charles Manson also believed the Beatles were angels, and that Revolution 9 from the White Album was a reference to the Holy Bible’s Revelations 9:

Revelations 9
From the Holy Bible

And in those days men shall seek death, and shall not find it; and
shall desire to die, and death shall flee from them.

And the shapes of the locusts like unto horses prepared unto battle;

And on their heads as it were crowns like gold, and their faces as the faces of men.
And they had hair as the hair of women, and their teeth were as of lions.

And they had breastplates, as it were breastplates of iron; and the sound of their
wings was like the thundering of many horses and chariots rushing into battle.

And they had tails like unto scorpions, with stingers; with their
tails they had power to harm people for five months.

The locusts = The locusts can be an interpretation of insects, bugs or maybe beetles. The Beatles

Faces of men = The Beatles being men had faces of men.
As the hair of women = The Beatles had faces of men and the hair of women. Very original and unique to them for a time.

Breastplates of iron = their guitars with metal strings strapped to their chests
Sound like thundering horses and chariots rushing into battle = the sound of The Beatle’s loud amplified music.

Their tails they had power = The Beatles’ amplifiers had electric chords,
power chords= This is interesting in that the tails were not described as having venom or poison but instead “power.”

[Source: The Lennon Prophecy: A New Examination of the Death Clues of the Beatles]

In this back-masking done by Sunssol, it appears that the Beatles reject money, and seek peace and passion:

I hate money, it's a lie
I hate money, it's a lie
I hate money, it's a lie
I hate money, it's a lie
I hate money, it's a lie

Ah...real tickets without peace
Ah, ah, ah, real tickets without peace
Ah, real tickets without peace...so
Here we burn and no peace
We now can reverse, now reversed
Ah...real tickets without peace
Ah, ah, ah, real tickets without peace
Ah, real tickets without peace...so
Heaven will watch it and we will all suffer
We now can reverse, now reversed...we will
We then have passion

At 6:20, this back-masking reveals "Paul is hare Krishna."

Krishna was the 8th incarnation of Vishnu.

...Saturn, the ascendant lord, acts as the Vishnu planet...
So it is clear that Saturn is representing Vishnu...[Source: ]http://www.osfa.org.uk/pt.htm

George wrote "Gopala Krishna," which was never released:

It is said that "[B]irds often symbolize the divine. They are often viewed as gods in disguise, or else they are the vehicles of gods and goddesses..."

[Source: Swan at http://www.khandro.net/animal_bird_swan.htm]

In Faul's video for the song, "This One," reference seems to be made to such an entity:

On the cover of Sgt. Pepper, is Faul trying to make a connection between himself and Vishnu/Krishna?

Terry Knight sang in "St. Paul":

"I think there's something wrong

It's taking you too long to change the world
Sir Isaac Newton told you it would fall."

Does this mean that Paul was supposed to change the world for the better but was thwarted by being replaced by someone who played for the "other team?"

David Icke forum member, Jo_6, made this observation:

...The original Beatles were a massive force for the light!
They were laughing lovely men who gave you a warm feeling inside, wrote ace music and obviously thoroughly enjoyed performing it live. I believe they were a massive force of goodness and love, with like an etheric gold shining energy coming from them.

The dark controlling forces do not let this be when it occurs in a way that effects the masses. (Look at JFK and Bob Marley). They do not want Light forces of truth and goodness to effect the masses and lift us up and wake us up. So they stamp on it and suppress it, snuff it out, nip it in the bud. And , perhaps this is what happened to the Beatles. They were a massive force that effected the masses, and they weren't going to 'co-operate' with the dark controlling forces...so they were took out. And to carry on with the juggernaut powerboat that was the Beatles, to keep cashing in and using them as a tool to manipulate the masses, they were replaced. Anyone close was bought off, or threatened, scared into submission...

[Source: David Icke Forum link]

Philip Norman, author of "Shout!," referred to the Beatles as "supernatural" in an interview at the beginning of this video:

These are all questions with no easy answers. They are interesting to ruminate and speculate upon, however.

__________________________________________________

Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe

Forbidden Secrets of the Illuminati:

The Luciferian Deception

ALIEN INVASION:
Reptilians, Cetaceans and Frequency Wars on Planet Earth