Saturday, April 6, 2019

Russ Gibb talks to BBC Scotland about the Paul is Dead phenomenon.


Russ Gibb talks to BBC Scotland about the Paul is Dead phenomenon.


Very interesting comments from 17:25-19:20:


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Tina Foster is the author of



Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe


Sunday, March 24, 2019

Beneath this mask I am wearing a frown


Howard Harris sent me some screen shots of Faul in 1968 that are very suspect. It looks as though the impostor is wearing some sort of face mask as part of his "Paul McCartney" disguise. Whose cheeks have those sharp angles? Also note some weirdness with the ear.








The screen shots came from this interview:

Paul McCartney & John Lennon 1968 Full Interview



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Tina Foster is the author of



Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe

Friday, March 22, 2019

New Paul Is Dead (PID) interview with Tina Foster


I will be back on "Crushing It" with Matt Z this evening to discuss my new book, Plastic Macca, which is a thoroughly researched, non-fictional examination of Paul McCartney's death and replacement. I will post the interview as soon as possible. Stay tuned!



For the second time in two days,  scheduled interview has been postponed due to "technical difficulties..."

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Sunday, March 17, 2019

Too Many People


Too many people have been sold a Bill of goods regarding James Paul McCartney's fate. In the beginning, the conspirators behind Paul's murder provided a contingency plan in case their evil plot was discovered. They orchestrated several "accident" scenarios involving "Paul" to disseminate disinformation through the media. Once one peels back the layers of the disinformation onion, one will see that Paul's disappearance was stage-managed. 

Just as in 1969, the media is being exploited to spread the BS "accident" story. Useful idiots and disinformation agents are busy promoting fan fiction that repeats the tired, old accident story, while bashing research that hits too close to home. The perpetrators involved in Paul's assassination are growing nervous that I will identify them. They are using their shills to attack my research and discredit me for fear that my book, Plastic Macca, will open too many eyes. They were hoping everyone would jump on the accident bandwagon, but now sh*t is getting real. Those resorting to such attacks should know that defamation is a tort, and you may incur legal liability for damages, as well as for tortious interference.

If you want to know the Truth, then dig deeper than fan fiction. My book, Plastic Macca, has done most of the work for you. 

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Saturday, March 16, 2019

Celebrity Tarot Reading - Paul McCartney is he a Doppelgänger ?


This tarot-reader gets some astonishing information that corroborates my theory of what happened to the original Paul. Unfortunately, too many people have been sold a Bill of goods that it was an "accident." It was not. It was a hit.... and not the good kind. 

Celebrity Tarot Reading - Paul McCartney is he a Doppelgänger ?



I think Retta is talking about me there at the end. I am a younger professional, intellectual woman. I am a lawyer and an academic, and I have been working for a decade to get the Truth out.

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Friday, March 8, 2019

Paul is Dead/PID ~ Tina Foster on Revolution Radio w/ Dr. Jim Fetzer


Paul is Dead/PID ~ Tina Foster on Revolution Radio w/ Dr. Jim Fetzer


Attorney and author, Tina Foster, discusses her new book, "Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney," with Dr. Jim Fetzer on Revolution Radio. Recorded: March 8, 2019


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Sunday, February 17, 2019

Paul is Dead/PID on Night Dreams Talk Radio (Tina Foster/Feb. 16, 2019)


Tina Foster discusser her new book, Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney, with the Paranormal Lawyer, Michael W. Hall, on Night Dreams Talk Radio. The interview goes into the proof/evidence showing that Beatle Paul McCartney was replaced in 1966.

Recorded on 16 Feb. 2019. 


Paul is Dead/PID - Tina Foster discusses "Plastic Macca" with Night Dreams Talk Radio




PID/Paul Is Dead starts at 50:00 on the spreaker audio: LINK

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Friday, February 8, 2019

Photos of the Beatles in Seattle passed off as being from San Francisco


As I discuss in my new book, Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney, photographs of the Beatles' August 25, 1966 Seattle concert have been passed off as being from Candlestick Park in San Francisco a few days later on August 29, 1966. This is important, because it gives the illusion that Paul was "still with us" when he really was not. 

This article below is very important when it comes to piecing together the time frame of Paul McCartney's disappearance/death. This is fleshed out more in Plastic Macca.

Wallie Funk – Celebrating Seven Decades of Creative Inspiration

AUGUST 16, 2012 / STEVE BERENTSON/ Anacortes magazine
http://www.anacortes.net/anacortes-magazine/2012/08/wallie-funk-celebrating-seven-decades-of-creative-inspiration/

Although live performance photographs were prohibited, photojournalist Wallie Funk managed to take more than 20 shots of The Beatles before security intervened.

On Saturday, August 25, 1966, a community photojournalist packed his camera in his car and headed for the Seattle Center Coliseum. He was bound for a fateful rendezvous with The Beatles, the rock ‘n’ roll band whose music, films and off-stage statements had combined to effect deep-seated changes in youth culture around the world.
At a pivotal time in American history, as most middle-aged men spoke derisively of this rock band’s long hair and silly love songs, 44-year-old Anacortes native Wallie Funk sensed a powerful connection among the four British musicians and their fans.
According to HistoryLink.com, The Beatles flew out of Hollywood on a chartered jet that morning, landing at the Seattle-Tacoma Airport at 1:40 in the afternoon. Before the day was out they would perform two concerts, both featuring about 10 songs received by wild and boisterous audiences. Most firsthand reports, including that of Funk, agree that the music was barely audible above the din of the crowd.
For Funk, past publisher of the Anacortes American and at the time publisher of the Whidbey News-Times in Oak Harbor, there was nothing odd about his decision to join thousands of frenzied teens for this concert. After all, The Beatles’ music had quickly and continuously inspired a growing fan base since their U.S. debut in 1964. Their cultural “impact” touched the lives of virtually every family in the communities Wallie Funk served. In response to inquiry as to what prompted him to travel to a rock concert on that historic day, Funk said:
“The younger generation seemed to be forming new alliances with some extraordinary musicians. The Beatles were beginning to create an international stir. I was aware every place they went they were developing a huge youth – teen-age – fandom. People said, ‘I’m not going to have my kids exposed to this.’ It didn’t make any difference. They came.”
Another obvious attraction for Funk: the music.
“I recall pulling over in my car to listen the first time I heard ‘Eleanor Rigby’,” he said. “They had some great music with all of the elements: mystery, adventure, death and romance.”
Funk’s impactful career as a community photojournalist included many articles and photographs published as the result of spur-of-the-moment decisions. However, his coverage of The Beatles concert was conceived through thoughtful and careful planning.
“One day I heard they were coming to Seattle,” he recalls. “I asked myself, ‘What do I do? How do I get there’? I had a (news)paper. I wanted our paper to have a presence.”
Telephone calls, one of the precious tools of his journalism career, included a conversation with Seattle Times photographer Paul Henderson. Another contact included Ad-VPR, the public relations firm responsible for The Beatles press conference. Among items of Funk memorabilia is a terse letter from Egan S. Rank of that firm. It read in part:
“This letter entitles the above-named individual to admittance at the press conference for The Beatles, which will be held at the Seattle Center Coliseum…”
However, among the “rules of procedure” in this letter that Funk admits to never reading, were conditions that would have prevented him from capturing the some two dozen concert photos that now rank among the most rare onstage images in existence. These rules went on to read: “This letter does not entitle you to admission to the concert, and you must purchase a ticket should you wish to attend.” And, “This letter DOES NOT entitle you to admission backstage.”
As Funk recalls, he took fellow photographer Henderson’s advice regarding the press conference, showing up to the southwest press entrance after first taking some photographs of the young people standing in line outside. Those frames included shots of Oak Harbor High School student Scotty Nix, who cheerfully posed with a concert program curled to her cheek. Local shots complete, Funk waited with the rest of the press representatives.
“When those at the door began to move, I moved with them,” he said. Photographers and reporters moved inside, down a corridor and into a large room. And there were The Beatles,” said Funk, “sitting elbow to elbow for an interview.”
Funk asked no questions of the Fab Four, but it is obvious from the dozens of images from the press conference that he had staked out a prime position as a photographer. Only one or two frames included full faces of all four musicians, but there are a number of individual portraits, two of which have Paul McCartney looking directly into the lens of his camera. Other images reflect activity including the lighting of cigarettes (McCartney) and serious reflection in response to questions (most notably, John Lennon and George Harrison).
Funk notes that by journalistic standards, the press conference was not particularly meaty. Questions ranged from whether McCartney would be married to Jane Asher that night as rumored, to an inquiry as to Lennon’s motivation as songwriter/performer: “I’d like to know your motivation in this. Money?”
There was also reference to the so-called adverse publicity stirred in the U.S. when a months-old British magazine article ignited headlines because Lennon said in part: “We’re more popular than Jesus now.”
Although the interview would continue to hound The Beatles – Lennon in particular – the Seattle press was satisfied to walk away with a few quotes on less serious subjects. With the press conference over, it was time to prepare for the concert.
Funk is short on details, as might be expected of an event that occurred four decades ago:
“When the interview was over, (we discovered) pandemonium in the Coliseum. I took a position,” Funk recalls, “elbows on the corner of the stage to brace me.”
There, using available light only, Funk captured images including a remarkable shot of the iconic McCartney-Lennon duo sharing the microphone. Unfortunately, his opportunity to record images from the performance was short-lived.
“I was there for just a brief time before a policeman said there was no picture-taking allowed during the concert,” said Funk. “But I didn’t care. I had just enough of them in action, mainly Paul and Lennon.”
Precious film in hand, Funk headed home. He developed the film, then moved into the darkroom to select and print images for what would become a controversial edition of his weekly newspaper. Funk made the decision to dedicate a full broadsheet newspaper picture-page to images from the press conference and concert. On the front page, above the banner, he paid tribute to The Beatles’ fame, positioning individual portraits of each of the four young men. As noted, Lennon’s earlier remarks referencing Jesus drew waves of criticism from Americans including some of the group’s fan base. A similar response from local newspaper subscribers was inevitable.
“The Christian right of Oak Harbor responded quite strongly,” Funk recalls. “One woman addressed a letter to City Hall saying, ‘Let Mr. Funk know I cancelled my subscription’.”
On the other hand, Funk recalls many conversations and calls of support. Among his archives is a handwritten letter from teen Carolyn Fosse, who wrote in part:
“I wish to express my deepest thanks concerning those beautiful Beatle pictures. I really am a big fan of The Beatles, as you already know. You know, I really wish more adults thought of The Beatles as you do. They really make me sick when some adults cut down The Beatles, and they don’t even know what they’re talking about. Most adults think only of how it was in ‘their’ day, and seem to reject the fact that the kids of ‘yesteryear’ and today are somewhat different.”
As he reflects today on that historic event, and on many other photo shoots outside of his newspaper’s zip code, Funk explains that he was driven by a desire to record slices of history on film. Over the coming decades, before his retirement from the news business, Funk’s extraordinary collection of photographs would include the Rolling Stones, rare documentation of the capture of Lolita the killer whale in Whidbey’s Penn Cove – and six presidents.
Newspaper partner John Webber often joked that Funk’s approach to photojournalism was a boon to the Kodak Corporation. Funk smiles at the memory of the complaint he heard so often – but then he shifts gears quickly and states with all seriousness:
“I’ve always had a strong passion to record by way of camera and film, not simply for the sake of taking pictures, but to capture something on film that translates the excitement of the time to my readership.”
There are more pictures of the Beatles at the Seattle show at this link: http://www.anacortes.net/anacortes-magazine/2012/08/wallie-funk-celebrating-seven-decades-of-creative-inspiration/

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Wednesday, January 30, 2019

New Source Reveals Untold Story of "Why The Beatles Really Broke Up"

As I described in my book, Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney, Faux Paul is known for having a nasty temper. Below is yet another example. This time, he directed his wrath at Ringo Starr.

New Source Reveals Untold Story of ‘Why The Beatles Really Broke Up’




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Thursday, January 24, 2019

Max Spiers on the dark side of the music industry

While this is not specifically PID-related, this is important information. Music industry machine is Satanic ritual cult. Walking red carpet is walking through the blood of the Goyim.

He says (around 14:00) that anyone who is a "Sir" is on the inner circle and is untouchable. Sir(pent) Paul

Max Spiers was killed in July 2016, probably for revealing very sensitive information.

Super Soldier Max Spiers...the Music Industry.


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