And in the end, quite a daring conspiracy to kill and replace a world famous musician has been revealed by various PID researchers. Oodles of circumstantial evidence that Paul McCartney was impostor-replaced has been presented over the years. Just based on the forensic comparative analysis alone (Carlesi and Gavazzeni, Wired Itala, 2009), it is obvious that Paul is no longer with us.
Once it sinks in that the lovable Mop Top was switched out, the natural impulse is to look for reasons as to why anyone would do such a thing. Unfortunately, this is difficult to determine and involves much speculation. However, one can look to clues left in the music and album art, as well as take into consideration other factors, such as people’s state of consciousness, music, the drug culture, and even the Vietnam War.
Once one realizes that Paul McCartney was effecting a change of consciousness, then what once seemed perplexing starts to make sense. During the Beatles’ reign as kings of the pop-charts, they saturated the airwaves with the frequency of Love. People responded by loving them in return. Paul wove Love into the fabric of his music. When people heard it, the melodies resonated with the heart chakra. The heart opened, and Love flowed from one person to the next.
Once Love began to inundate people’s very souls, it started to cause a realignment towards Creator. In very real terms, the music was changing the world. Just as the shift was gaining momentum, the powers that be decided they had to stop it. To that end, Paul, as the instigator of the shift in consciousness, had to be removed. In what appears to have been a well-planned and executed operation, the famous Beatle was assassinated and impostor-replaced with a lookalike double. Paul was (perhaps) dumped in Puget Sound, never to resurface. In Los Angeles, Paul’s body double appeared in public for the first time on August 28, 1966. Upon the Beatles'/Featles' return to England, it was decided that it would be best to minimize the new Paul’s exposure. During the next few years, all public appearances were carefully managed. In the intervening years, the new Paul seems to have become confident in his role as the famous Beatle. In a joint action, Paul McCartney, as he is now known, seems to have tried to free himself from the constraints of being Beatle Paul. To that end, it seems he has tried putting out music under the alias of Fireman. Is the new Paul desperate for approval of his work? Is he fed up with Paul’s work constantly being lauded while his is dismissed? Does he keep producing music in the hopes that he will be recognized for his own work one day?
After stepping into Paul’s Beatle Boots, new Paul ceased to exist as his own person. Eventually, it appears he became angry and irritable stuck in the role of a much more talented musician. The relationship is akin to sibling rivalry, with Paul being the one who outshone his impostor. In the past, new Paul resented his famous target. Now, however, it seems he has learnt to deal with the dichotomy through conscious separation of his two identities. In very real terms, Paul’s stand in keeps Paul’s memory alive, even if it is a false impression of how reality was.
Now that Paul is being separated out from the conjoined twin relationship he was forced into with new Paul, people are remembering what a talented bright light he was. Paul is being reclaimed as one of the public’s favorite heroes. In killing Paul, those responsible unwittingly created a situation in which his memory would impact future revelations. With the unmasking of his double, Paul has become the central figure in exposing the impostor-replacement psyops that occur behind the scenes. Because of Paul, many people are now aware of a most evil program to kill certain individuals and replace them with controlled doubles. Paul’s popularity, talent, and good looks make him the ideal vehicle for exposing this hidden agenda. It is quite ironic that those responsible who wanted to exploit his charm for propagating evil on the planet ended up revealing their own evil secret program through Paul’s inept impostor.
Tina's interview with Jim Fetzer, which aired on October 6. 2014, is available here and here. The possible replacement of John Lennon and the other lads was discussed.
Tina Foster is the author of
Email Tina at faulconandsnowjob at hotmail dot com.