The idea that John Lennon was replaced by an impostor has long lingered on the fringes of Beatles conspiracy theories, often drawing parallels to the better-known "Paul is Dead" mythos. While it is a topic that too many people dismiss as outlandish, there are curious anomalies and coincidences that give some enthusiasts reason to question Lennon’s life, career, and untimely death.
John Lennon was assassinated on December 8, 1980, outside of the Dakota Apartments in New York City, a tragic event that stunned the world. However, the fact that this day marked precisely 13 years since the release of the Beatles’ "Magical Mystery Tour" album in 1967 seems to be an eerie coincidence. A specific scene in "Magical Mystery Tour" includes a sign reading, "The best way to go is by M&DC"—letters eerily corresponding to the initials of Lennon’s assassin, Mark David Chapman. While some may dismiss this as a coincidence, the symbolic connections prompt deeper examination.
The Dakota Apartments, where Lennon lived and died, is itself an iconic building. The same location was used to film the horror classic "Rosemary’s Baby" in 1968, a movie filled with themes of Satanism and murder. This association adds an unsettling undertone to the events surrounding Lennon’s death. Theorists have long been intrigued by the occult symbolism embedded in Lennon's final residence and the events leading up to his death, especially when contrasted with the dramatic changes in his life and personality that had taken place in the years prior.
A deeper look into the timeline of John Lennon’s career reveals a period of significant change in 1966-67. His first wife, Cynthia Lennon, hinted at this transformation in her book A Twist of Lennon. Cynthia spoke of “mental and physical changes” during this time, changes that echoed those surrounding Paul McCartney’s replacement. Cynthia later commented in an interview with Mike Wallace on 60 Minutes, stating, “Seeing this man, who wasn’t John anymore, doing the wildest things.” This cryptic remark has been interpreted by some as a veiled admission that John had undergone a transformation, possibly suggesting the presence of a doppelgänger.
Many who worked closely with the Beatles also observed noticeable changes in Lennon during the late 1960s. Geoff Emerick, the Beatles’ sound engineer, remarked in his book Here, There and Everywhere about Lennon’s physical transformation between the recording of Revolver and the single "Strawberry Fields Forever." In a matter of months, Lennon had lost weight and appeared "trim, almost gaunt," as Emerick noted. This drastic change raised eyebrows, especially considering the well-known alteration in McCartney’s appearance around the same time.
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Another peculiar incident involves the death of Mal Evans, a close friend of the Beatles, who was killed in 1976 under mysterious circumstances. Lennon’s reported reaction to his friend's death—“They should look in the dead letter file”—was seen by some as callous and uncharacteristic, especially considering Lennon’s usual emotional intensity. This indifference has fueled speculation that the man posing as Lennon by that time may not have shared the deep bonds that the original John had with his close circle.
John Lennon’s later years were filled with strange behavior, and those close to him noticed a drift from his earlier personality. For example, Lennon seemed to suffer from lapses in memory when discussing his own songs. In his 1980 Playboy interview, Lennon admitted that he had mistaken his song “Glass Onion” for another, forgetting key details about his own work. A perplexing claim he made was that "Let It Be" had “nothing to do with The Beatles... It could’ve been Wings,” a remark that bewildered fans since “Let It Be” was one of the Beatles’ final anthems, not a Wings creation.
These discrepancies in memory, behavior, and even physical appearance point to Lennon having been replaced by an impostor as part of a larger psychological operation. His sudden and passionate relationship with Yoko Ono, his immersion in radical politics, and his shift toward increasingly bizarre behavior, such as conducting interviews from inside bags, seemed out of character to those who had known Lennon before 1966. Even Lennon’s involvement in the anti-war movement took a Monty Python-esque twist, with some critics suggesting that his absurd public displays discredited peace activists rather than galvanizing them.
The years following Lennon’s death have produced even more curious revelations. For example, some conspiracy theorists point to Yoko Ono’s song “Kiss Kiss Kiss” and its backmasked lyrics, which reportedly contain the phrase, "I shot John Lennon." While these claims are highly controversial and debated, they feed into the broader suspicion that Lennon’s life and death may not be as straightforward as history remembers.
One of the most unsettling aspects of the Lennon assassination is the identity and involvement of those around him at the time of his death. Jose Perdomo, the doorman at the Dakota on the night of the assassination, was later identified as a former CIA asset. This fact raises questions about the role of intelligence agencies in Lennon’s life and death, particularly as Lennon had long been under surveillance by U.S. authorities for his anti-war activities. Additionally, the swift cremation of Lennon’s body—against his stated wishes—left no opportunity for a thorough examination of the remains, adding further to the mystery.
Ultimately, while many dismiss the idea that John Lennon was replaced by a lookalike, there are enough red flags, strange coincidences, and behavioral anomalies to warrant closer investigation. The changes in his personality and physical appearance, the peculiarities surrounding his assassination, and the reactions of those who knew him all hint at something deeper than a simple case of celebrity transformation. Whether Lennon was truly replaced remains a matter of speculation, but the evidence, however circumstantial, continues to fuel the argument that we may not have known the real John Lennon after all.
Happy Birthday to the real John Lennon (October 9)!
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Tina Foster is an attorney, Paul is Dead (PID) expert, and the author of
Tina Foster, the author of "Plastic Macca" and "The Splitting Image," fearlessly delves into controversial subjects such as government conspiracies and secret societies. Through thought-provoking writings, she challenges conventional wisdom, inviting readers to question official narratives. Despite facing criticism, Foster's work sheds light on lesser-known information, encouraging critical thinking and inspiring readers to explore hidden histories. Her contributions to alternative research have made a significant impact, emphasizing the importance of alternative perspectives in fostering a well-rounded understanding of our world.
Email Tina: faulconandsnowjob at hotmail dot com
