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A major stumbling block for some people in seeing that Paul McCartney was replaced is not understanding why it might have been done. As it was, certain people found the Beatles to be a threat to their goals. When the Beatles began to get political and spiritual, they bumped heads with some very powerful forces. As the Beatles were a powerful force themselves, their challenge to the powers that be was deemed to be unacceptable. Certain actions had to be taken to neutralize the threat. 
In a position of global popularity and influence, the Beatles used music to counter the agenda of the dark side. Certain musical frequencies advance spiritual enlightenment and uplifting. The Beatles acted as agents of the Light to manifest a shift in consciousness by using frequency, melody, and certain words, such as "love." As their efforts began to take root, the Controllers took action against them. Paul, as the musical genius of the band, was seen as the main target. His music had to be interrupted as it put too many positive vibrations on the planet. His voice had to be silenced, if his role as a force for positive change was to be derailed. Once Paul was out of the band, the music catered to the dark agenda. Elements of Paul's compositions were used to maintain the illusion that he was still in the band. A careful examination of the music will reveal that songs of the later years lack the consciousness-raising quality of songs penned by the original Beatle Paul. It is not a quality that can be reduced to notes on a page, but rather is to be felt in one's heart chakra. People who resonate with the Light will feel an energy surge in their hearts when listening to songs composed by Beatle Paul. Despite cobbling together melodies that were more or less pleasing, Bill could never capture that quality. Indeed, it was not his intent to manifest a shift in consciousness towards Creator and the Light. His aim was to counteract and nullify Paul's effect. Bill could not completely erase Paul from history, but he could tarnish his legacy. As a result, Paul's contributions have been sullied by their association with Bill's.
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Little is known about the impostor. He is sometimes known as William Shears Campbell, or William Sheppard. It is said that he once won a Paul McCartney lookalike contest, and was plucked from obscurity to become the new Paul. Some have claimed to have known him, but few have corroborated their tales. What is known is that the Faul was required to have many plastic surgeries in order to look more like Paul. Retouching on album artwork and official photos was painstakingly done. In attempt to hide the imperfections, he grew a mustache. And for long, no one suspected a thing. Foolishly, many still don’t.
Most have considered the story of Paul’s tragic death a mere hoax — a story, and a blatantly unreliable one at that. Until now.Before you watch this final video below.....I want you to think about something ready? Why did Billy Preston Die on June 6, 2006? (Often considered the 5th Beatle...why 06/06/2006.....666).
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| ALIEN INVASION: Reptilians, Cetaceans and Frequency Wars on Planet Earth |
Theodor W. Adorno was the brains behind the 'Beatles' as he held the rights to the music and eventually his estate sold those rights to Michael Jackson. Adorno a classical musician wrote their music and it was all filtered down through Paul who could not read a note of music by the way... Oh and as an aside, Paul ended up being Knighted, and you don't get Knighted unless you have done as you were told and made your masters proud...
... Then there's this whole matter of some Tavistockian by the name of Theo Adorno (actually a German professor of philosophy who wrote about music, though Dr. [John] C[oleman] never tells us that) having written all the Beatles' songs (both music and lyrics), which they then simply had to memorize like obedient little drones. This I'm not buying for two reasons. First, Dr. C. supplies exactly zero evidence to back up this contention (although it did come as something of a shock reading in the Interviews [p. 142] that not one of the Beatles could read or write music, though Margie has assured me this is not uncommon amongst musicians); second, the last almost-third of the Interviews involves David Sheff rattling off Beatles' tunes and Lennon firing back who originated them, who contributed and whatever background he could recall. Dr. Coleman's ranting aside, Lennon does a convincing job of accounting for scores of Beatles' songs, hits as well as more obscure tracks, and nowhere, trust me, does Theo Adorno come up. In fact, beyond Paul and "me" very few people get mentioned at all. Okay, one might counter, perhaps Lennon had been programmed (given screen memories) to account for every Beatles' song. It never once comes across that way in the Interviews -- and I was on the lookout, believe me! -- but who's to say...
Co-opted they may have been; one thing, however, I want to stress: The talent, the wit, the joie de vivre that typified the Beatles and their music I believe were genuine. Dr. Coleman's notion of a sixty-year-old philosophy professor -- from Germany no less! -- writing "Strawberry Fields" and "Penny Lane," the stuff of John Lennon's childhood, is simply absurd. Then how is it I can still recommend Conspirators' Hierarchy? The research in this book on the world narcotics trade and on the existence of the groups advancing the Agenda of the "One World Order" (as Dr. C. prefers to call it) is thorough and credible. It's quite feasible in light of his biases that the good doctor was himself disinformed in regard to the Beatles. Such disinformation would serve to discredit his book in general and also to demoralize his readers by suggesting that the GSE are 100% behind all great creative endeavors, the implication being that we, the human herd, are unimaginative clods from whose ranks nothing exceptional springs lest it be nurtured by evil (after all, the Sumerian word for "human being" -- according to R.A. Boulay, author of Flying Serpents and Dragons: The Story of Man's Reptilian Past -- is LULU or "big sheep"). This, however, is unadulterated bullsh*t. Creative expression is a human trait, evident in everything we are. The Agenda must place limits on this creative potential, including our awareness of even having it, because this is our strength. The GSE have adroitly kept us pitted against each other till we've truly come to believe the lie that human nature is inherently destructive...Why would someone spread disinformation about Paul's supposed lack of musical talent? In my opinion, such hit pieces are aimed at belittling the Beatles and making them seem unimportant. If people believe Paul was a fraud, then why would they be interested in researching his murder and impostor-replacement? The fact is that Paul was a gifted musician who wrote hit after hit, even under goofy names (Bernard Webb) and for other bands such as Peter & Gordon. His songs even inspired other hit songs. For example, the Beatles' number one hit, "Paperback Writer," inspired the number one hit "Last Train to Clarksville" (recorded by the Monkees). It was the Beatles' inspired musical genius that got them to the toppermost of the poppermost. Faul, on the other hand, did not achieve as much success - and not for lack of trying. He has been at it since 1967, and has never equaled Paul's success. As mentioned above, he needed his roadie to help him write songs. It should seem obvious that different people were writing Beatles' and solo songs. Therefore, they could not ALL have been written by Theodor Adorno.
Bottom line: This movie is largely derived from the "60 IF document," which is made-up, disinfo BS. It can be read HERE. This is supposedly "George Harrison's deathbed confession," but the text states that "George was in India" at the time of Paul's alleged car accident. So, George was referring to himself in the 3rd person? Rookie mistake. lol
Update: