Paul is Dead/PID and The Palette of Narmer

What follows may be directly relevant to PID or it may be some odd coincidences, perhaps synchronicities, or it may be nothing.

I don't know why, but blogger.com isn't uploading the photographs for this article, but I will let you know where to find them, as we go along.

First, I would like to mention that Aleister Crowley is featured on the cover of the Sergeant Pepper album and his image has also been projected behind Faul in live concerts over the last several years. Crowley is well known to have studied occult aspects of ancient Egypt. The same can be said of Luciferian filmmaker Kenneth Anger.
    
Another Faul reference to ancient Egypt is, of course, his song on the Venus and Mars album, Spirits of Ancient Egypt.

In addition, the scarab beetle is quite significant in ancient Egyptian myth in relation to Ra, the sun god. As you know, there are many references to the sun in Beatles' song lyrics.
    
Use google images to find: The Palette of Narmer. What is it? Well, it is one of the oldest ancient Egyptian art objects that uses pictography (carved pictures and hieroglyphics) to tell the story of the pharaoh, Narmer. It dates from circa 3000 BCE and is now in the Egyptian Museum in Cairo.

    
Narmer was the first pharaoh (king) of ancient Egypt. He is thought to have unified upper and lower Egypt. One could think of Faul as unifying the Early Beatles with the Psychedelic or Late Period Beatles. Faul may have been the unifier and observers have said that when Brian died, Faul filled the void as the leader (or as apropos to this article: 'king') of the Beatles.
    
A palette is a sculpted stone that was used by the ancient Egyptians to grind pigments on for cosmetic makeup. The Palette of Narmer is thought to be a special, 'royal' palette never actually used to make cosmetics, but used as a ritual object that retained symbolically the 'theme' of makeup. Of course, there are many examples of Faul using stage makeup, just one example being the official video for Say, Say Say with Michael Jackson.
    
As we examine the main side of the 2-sided Palette of Narmer, we see Pharoah Narmer as the large, main figure. He is depicted as about to slay an opponent, or as may relate to PID, he is symbolically slaying 'the past' as a show of new dominance.
    
The smaller figure to the left of Narmer is a royal servant holding the sandals of Narmer, as what's happening is that the pharaoh has chosen to be barefoot while projecting his dominance. You will find close-ups of the Palette of Narmer on google images.
    
Now, obviously there is a Faul parallel to Narmer having taken off his sandals, preferring to walk barefoot when one considers the Abbey Road album cover. Art historians say that Narmer going barefoot signifies that he is victorious over a seemingly insurmountable problem in the past and now feels so self-confident in his victory, dominance and mastery of a situation that he can set his sandals aside and walk barefoot. In the Palette scene, his sandals have been picked up and are held by an assistant, the sandal bearer. Narmer is a hero 'unto himself', indicated by his choice of being seen barefooted as he slays any and all opposition.
    
Faul, interviewed on national TV by David Letterman, admitted that he arrived at the Abbey Road cover photo shoot in sandals, then chose to remove them and go barefoot. This is proven by photos you can find of the Beatles participating in the shoot. Faul's explanation to Letterman is that it was a hot day and he kicked off his sandals to have cooler feet on the pavement, which is absurd, as it is just the opposite of common sense. The pavement would feel hotter to the soles of the feet barefoot and cooler with sandals protecting the soles.
    
The garment worn by Narmer is described as finery by art historians. It bespeaks of royalty. This is not unlike the tailored business suit worn by Faul on the Abbey Road cover, certainly an expensive garment.
    
To the left of the sandal bearer is a rosette. One can see a rosette parallel on the cover of Faul's Red Rose Speedway, in which he sports a red rose in his mouth at the 'straight on' angle of a rosette.
    
You will notice a falcon to the right of Narmer on the Palette. This falcon symbolizes the god Horus.
    
Clutched by Horus is a special tool that was used by ancient Egyptians to pry open the mouth of a corpse during embalming. According to art historians, the significance here on the Palette is that Horus is in full control of the speech of the dead. In other words, the spoken words (and singing) of the conquered dead are now being controlled by Horus and thus can be changed to suit the victorious Narmer. This symbolizes 'propaganda', which was thought by pharaohs to be necessary, similar to Hitler and Goebbels believing that propagandistic lies were necessary for their success.
    
Search on google images for the official coat of arms designed by the official agency that creates these for the British royalty and government. Faul's coat of arms was presented to him on December 31, 2002, having been approved earlier in the year on his birthday. Just do a google images search for 'Sir Paul McCartney coat of arms' and you will notice the same figure of Horus in the same posture as we see on the Palette. Horus, the falcon, is seen on the Palette not only dominating the speech and song of a dead man, but the man is bearing papyrus. Papyrus was the paper used by ancient Egyptians. In relation to Paul, it could signify sheet music of songs written and published by Paul, but now dominated (via Horus) by the victorious Pharoah Narmer or in our modern connotation, Faul.

    
You can also see in the Palette that Horus is the 'paper back rider' in that particular hieroglyph.
    
Under Narmer, in the underworld, we see twins, which could symbolize one is dead and the other someday will be dead, as well. Their fingertips are almost touching which one could interpret as when Faul dies and is buried or cremated into the underworld (afterlife), he will join Paul, who is already dead. At the moment of their meeting, the fingertips of the 'twins' (the real Paul and his impostor) shall touch.
    
On the reverse panel of the Palette, we see a ritual procession of men shown in profile and marching in lock step with each other. This parallels the four Beatles on the Abbey Road album cover, shown in profile, marching in lock step.
    
To the right of this procession in the Palette, you will see dead, naked bodies lying on the ground headless. Our Beatles parallel here would be the strange, headless, naked upper torso, with "magical mystery boy" scrawled on its chest in the brief, but eerie rocking horse scene at the end of the music video for Blue Jay Way in the film Magical Mystery Tour. Lately, I have wondered if the body seen in MMT could be a morgue photo of Aleister Crowley, who was chubby and had a hairless chest that would have been consistent with that photo in the Beatles' film.
    
Also on this side of the Palette, powerful lions with long necks have been tamed and equalized. Perhaps we could think of the Hofner bass of Paul having a long neck and being as powerful as a lion roaring and it has, in Faul's eyes, been matched equally by the powerful playing (from Faul's point of view) on the same long necked Hofner instrument. Faul's ritualism may have required him to perform with the exact same instruments Paul used before his untimely death.

    
The circle in the middle reminds me of the sound hole of an acoustic guitar, perhaps the Epiphone Texan Paul used to sing Yesteday in concert and used again (the same acoustic guitar) many years later by Faul to sing the same song in concert.
    
Finally, at the bottom of the procession side of the Palette, we see a bull that lords over a man. This represents the strength of Narmer (Faul) in 'bullying' his way through life, easily dominating any circumstances encountered. It also represents the fear of people who stand in his way.
    
I'll leave you with one final, chilling note. There is a video clip (used by iamaphoney and others) of Faul reacting to a paparazzi he has just been annoyed by. Faul is heard muttering, "Poor guy, he's going to get clubbed to death." On our 'side one' of The Palette of King Narmer, the pharaoh is shown with a raised mace (a club) about to club to death his enemy.
    
Thanks for taking this little comparison journey with me. Like I said at the beginning of this article, the coincidences may mean something or may not, I don't know. But I hope that the strange case of 'PID and The Palette of Narmer' is as interesting to you as it is for me. There has to be a reason that Faul took those sandals off and we suspect it wasn't just "a hot day" but that there was more to it than has yet been revealed.

Lewis Carroll
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Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

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Email Tina at faulconandsnowjob at hotmail dot com.

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A Very English 9/11 Mystery [Paul is Dead] - Nicholas Kollerstro​m

A Very English 9/11 Mystery

[Reposted with permission from the author, Nicholas Kollerstro​m [see original]

There is a very old conspiracy theory that seems to be resurfacing.  A couple of years ago,



Ringo Starr was interviewedand said,  twice, that he was the last of the Beatles: ‘I am the last remaining Beatle.’  (26.5.11) The ‘Plastic Macca’website here is by Tina Foster: she was interviewed by Andrew Johnson on the topic, ‘Was Paul McCartney replaced in 1966?’ - here. 

Just last week, Jim Fetzer did atwo-hour interview with Clare Kuehn on the subject (‘the Real Deal with Jim Fetzer’), which is quite important, and you might want to peruse some of the four hundred comments about it here, probably the most informed debate on the topic yet. Some of you might remember Clare for the excellent lecture she gave at the Vancouver 911 truthconference in Toronto.

The ‘urban legend’ has Paul McCartney die in a sudden car-crash on a date defined by the drum on the Sargent Pepper album! We can read that as, 11-9- He Die (see below). When the Paul-is-dead stories started appearing (see Batman Marvel cover) in 1969, it was in America, so on most websites you will read the date of this urban-myth event as 11th of November – American dating: eg Here,  or here.

But, hey, this happened in England, and 11-9 is September 11th, thank you! Clare added here that the Magical Mystery Tour started filming on 11th September 1967, one year later – starting at 10.15 am I might add; then on 11th September 1968 John Lennon recorded his surreal ‘Glass Onion’song where the Walrus is identified as Paul.

So this is a totally and authentically British 9/11 mystery, whose date was fixed in the last century! Numerologists will no doubt have something to say about 11-9-1966, but I’ll keep clear of that one. A mirror is held up to the drum to see it, which is something to reflect upon.

Notice the two experts we’ve quoted are both women – maybe some deep female intuition is needed to resolve this matter.

A couple of years ago, the book ‘The Memoirs of Billy Shears’ appeared, which is rather authentic-looking. It has the air of being written by Sir Paul himself, as if he late in life wished to put the record straight. I suspect that this may catalyse some debate. These Billy Shears books are expensive, as if wishing to price themselves out of the range of riff-raff like you and me – but, if any readers get hold of a copy, do please post a comment here! A friend has recently been showing me a copy.  Now that gives the date of September 11th for the car-crash. (See its Frequently Asked Questions): ‘Paul died late in the evening of September 11th, 1966.’ 

The Billy Shears book is 666 pages long,  and written in the first person,as if the Walk-in Paul McCartney finally wants to set out the record, in his old age, eg which songs were his. It begins by saying that the young Paul M died, then came back againand lived in me, – as if some ultra-strange identity-transform took place. Through funny dreams he came to feel this soul-transfusion.  Was he an even better musician than the early young Paul? We’re talking here about supreme musical artistry, so let’s be careful what we say.

Let’s start by assuming that readers are totally sceptical – and even angry that such a mad idea is being mooted. To such

sceptics, I say: listen, here is the Problem – which requires explaining. The greatest band in musical history reaches the apogee of success – then suddenly it stops all public performances, in mid-1966. There is a kind of vacuum in late 1966, with the manager Brian Epstein having to put out a statement assuring everyone that Paul is OK. Only studio recordings after that. Their next big event is the Sgt. Pepper album, whose front cover is of a funeral -the ‘Beatles’ are being buried! The cover shows the old Beatles (in wax) all much the same height, then in the center the ‘new’ band with Paul conspicuously taller than the others: no amount of plastic surgery can alter this fact, that the new ‘Paul’ is a couple of inches taller.

His face is longer, his eyes are green, see images below (the old Paul had brown eyes), he’s taller, he was right-handed but taught himself to play left-handed, his hair parts from left to right, vice-versa for the original Paul, he’s got a thinner nose and his teeth are different – which cannot readily be adjusted by surgery.

The album claims it is the ‘Lonely Hearts Club band’ – it does not introduce itself as the Beatles, and introduces the new member ‘Billy Shears,’ who is he? It has a lot of ‘psychedelic’ texture alteration so we cannot note any slight changes in playing or voice. This might remind you of the album released at the end of ’66 Beatles Oldies which has a tall, slim character depicted on its cover,who is said to be the new band-member as he originally looked, before all the surgery adjusted him! That album is said to be the first on which the new ‘Paul’ played (Again, I’m quoting from the Billy Shears site here).

The yellow flowers at the bottom of the Sgt Pepper cover are supposed to show Paul’s left-handed guitar, and also to show the letters ‘PAUL?’ Its meant to have just three guitar strings on it, as only three Beatles are left.

People tell me that the stress of screaming fans was too much for the Beatles, so they broke up. I don’t buy that one. Artists live for the interaction with an audience, not just to record in studios. The Stones didn’t just wimp out because their audiences were over-enthusiastic.  Then, Lennon starts composing weirdly airy-fairy music, and again people say that was the LSD, but I don’t reckon that’s quite enough. Here for example is fromGlass Onion, and I’d say this is Lennon contemplating the Great Beyond where his closest, best friend and songwriter has now gone:

I told you ’bout strawberry fields
You know the place where nothing is real
Well, here’s another place you can go
Where everything flows

Looking through the bent backed tulips
To see how the other half live
Looking through a glass onion

I told you ’bout the walrus and me, man
You know that we’re as close as can be, man
Well, here’s another clue for you all
The walrus was Paul.

The green eyes of the new ‘Paul’ were first clearly shown to the world in the filmStrawberry Fields Forever - as the voice-over sings, ‘Nothing is real.’ (Here, at nine minutes)

So I would say that is an extremely weird sequence of events whereby the world’s most famous band dissolved itself. It requires explaining. It is never going to make sense if the same four lads were playing throughout.

John Lennon – musician extraordinaire, truthteller, master of enchantment, whose words expressed the optimistic hope of our generation – why did he divorce his lovely wife, leave his native country, leave his band, and go to do absolutely nothing for ten years in New York? He did it to get as far away as he could from the pain.

Sir Paul (we’ll call him that, for even before he was knighted, the band called him ‘Faul’) did not attend the funeral of the father of Paul McCartney, 1976.

After that

The ‘real’ Paul McCartney is on the left in these comparisons (Thanks Tina Foster from Plastic Macca site).

On ‘Abbey Road’, ‘Paul’ sings of a sinister MI5 or MI6 agent hanging around: Maxwell’s Silver Hammer and he has a license to kill – after this great and mysterious event happened, the band and their women were not at liberty to step out of line. The Beatles were national revenue.

Autumn of 1966

The last-ever sighting of the real Paul seems to be on 29th August, on their return from the american tour. He then vanishes completely until 24th November-when the group turns up at the EMI office – with the New Paul. Here we see the first-ever pic of the New Paul, ‘Faul’ in the UK.

 

After years of detailed chronology, day by day, Paul simply has no history THE ENTIRE MONTH of October, 1966. On October 3rd the Manager Brian Epstein puts out an astounding press-release, that The Beatles would never perform on stage to live audience again. (some sources give October 13th – Beatle bios become incredibly vague in the aftermath of the last concert) In October-November, Beatles bodyguard Mal Evans strangely travels from France, Spain, and Kenya with Faul on “a jungle safari”. The new Faul appears in a newspaper on 10th December. On that day, the Oldies album was released, having on its back a group photo with the real Paul in shirt colored in black – first ‘death’ clue. On 20th December came Faul’s first on-camera appearance, tightly guarded, and ushered off soon. Next May he discards that moustache – the scars of surgery having healed up enough – and by the summer is looking quite cheerful! He should do, it was the Summer of Love and Peace…

Much later on, film by Mal Evans of Faul in Kenya in November ’66 was released (Here, at 3-4 minutes), which has to be the first ever footage of ‘him’. Nobody could mistake this stranger for the real Paul McCartney. So who the hell was he? Where had this awesome musical genius just come from? This is quite a deep Shakespearan enigma, which you or I are not going to solve in a hurry. But, post here if you know the answer! Remember, whoever he had been, would have to have just ‘died,’ and preferably be buried.*

To make that 3rd October announcement, Brian Epstein had to struggle out from his recuperation clinic, having been hospitalised the month before due to a drug overdose. His bio attributes this to some stress in a gay relationship, but I’m not in a hurry to accept that.

These events reinforce our interpretation of 11th September as the Date, and rules out the widely-cited 9th November date. The announcement that they would never perform live again, reinforces the case for catastrophic death.

Ear Job

The image on the left is ‘Faul’ in Kenya in October-November ’66. That on the right is the shy young man who made his debut in late November, then with the Fab Four gave an interview on 20th December. We here see one further step in his Beatle-isation, an ear-adjustment.

…………………………….

Heather Mills after her divorce from Sir Paul was asked, “Knowing what you know now about Paul, would you have married him in the first place?”  “Never,” Heather said firmly. She added that there was ‘ A lot of fear of the truth coming out from a certain party.’ It was ‘beyond belief’ and she did not mean infidelity – no wonder the press were mystified.

Sir Paul’s sons don’t at all resemble him, as may remind us of all the surgery that has gone into his face. He is normally photographed with his mouth open, as it can look a bit strange when closed, a residue of the surgery, long ago.

Sir Paul in an interview gave an unconvincing reply, as to why he had not been wearing any shoes while crossing Abbey Road on the album cover. Then he was asked about the identity-swap: ‘The idea was, that there was a very good double taking his [Paul's] place’, and he replies, ‘No well, this is him‘ pointing to himself – taken literally, he has just replied, that he is the double! After that you can see him looking a bit phased, by what has just come out. ‘Or is it?’ asks the interviewer, looking straight at us.

Here is the mature Sir Paul, making a certain well-known sign.

* Mal Evans reportedly died in 1977 in a LA flat shot by mistake, cremated and his ashes lost in the post - like some John Lennon comic story.

Nice Video: http://www.youtube.com/watch?v=OdLF1w8NB-k

Books:  Gary Patterson, The Walrus Was Paul 1998 * Doctor Lev, Billy Shears  The Secret History of the Beatles 2002 * Forrest Daily,  The Fifth Magician, The great Beatles Impostor Story 2003 * Thomas E Uharriet,    Billy’s Back! The Memoirs of Billy Shears2009.

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Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Tina's interviews on Youtube

Add Tina as a friend on MeWe

Forbidden Secrets of the Illuminati:

The Luciferian Deception

ALIEN INVASION:
Reptilians, Cetaceans and Frequency Wars on Planet Earth

"Nothing is Real": The Curious Case of Faul McCartney -- w/ Tina Foster ~ The Plane Truth

"Nothing is Real": The Curious Case of the Man Some Call Faul McCartney -- with Tina Foster ~ The Plane Truth

All those years ago, the Fab Four took America by storm. Unfortunately, the same cute Beatle Paul who won the hearts of many a Beatles' fan was not the impostor McCartney who is currently celebrating the Beatles British Invasion. Find out more in this PID interview with Tina Foster and the Plane Truth.

Watch ODYSEE || BITCHUTE

 
Audio File of Nothing is Real show

Recorded circa Feb. 11, 2014

__________________________________________________

Tina Foster is the author of

Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney &

The Splitting Image: Exposing the Secret World of Doubles, Decoys, and Impostor-Replacements

Email Tina at faulconandsnowjob at hotmail dot com.

Add Tina as a friend on MeWe

Forbidden Secrets of the Illuminati:

The Luciferian Deception

ALIEN INVASION:
Reptilians, Cetaceans and Frequency Wars on Planet Earth