Right as Rain:
Paul McCartney’s Mysterious Switch from Left to Right-Hand Dominance
Tina Foster
In the seminal Beatles documentary series, “Anthology,” an unexpected scene unfolds approximately 50 minutes into the seventh installment, where McCartney is depicted playing guitar right-handed, betraying his true orientation. This revelation, presented against the backdrop of McCartney discussing the genesis of the song 'I Will,' serves as a tantalizing clue for PID enthusiasts. However, the implications of this anomalous behavior extend beyond mere conjecture, sparking deeper inquiries into Faul's identity.
Paul McCartney's unequivocal assertion of his left-handedness in a 1963 interview further complicates the narrative surrounding Faul's impostorship. Paul lamented his inability to overcome his left-handed tendencies, stands in stark contradiction to the sightings of Faul engaging in right-handed activities. The discrepancy between Paul’s self-professed left-handedness and the conspicuous instances of Faul's apparent right-handed behavior supports the PID theory.
A litany of visual evidence, ranging from album covers to film footage, has been marshaled to support the contention that Faul McCartney is an impostor. Notable examples include scenes from “The Magical Mystery Tour” movie, wherein Faul is depicted holding objects with his right hand, betraying his true right-handed proclivities. Similarly, analysis of imagery from the “Abbey Road” album cover and the “Let It Be... Naked” booklet offers further corroborative evidence of Faul's right-handedness.
Despite fervent denials from proponents of the official narrative, PID theorists remain steadfast in their assertions, citing a multitude of instances where Faul's right-handedness undermines the official narrative that he is the real McCartney. From his handling of musical instruments to mundane tasks such as lighting a cigarette, Faul's right-handed behavior persists as a point of contention within the broader discourse surrounding the PID conspiracy.
Compounding the intrigue surrounding Faul's impostorship are his appearances in non-musical contexts, such as his cameo in the film "Pirates of the Caribbean: Dead Men Tell No Tales," where he is observed using his right hand in a manner inconsistent with Paul’s established left-handedness. Such sightings serve to fuel speculation regarding the true nature of Faul's identity and the extent of his deception.
In conclusion, the revelation of Faul McCartney's right-handedness, as captured in the Beatles' Anthology series and corroborated by a plethora of visual evidence, represents a crucial linchpin in the ongoing saga of the "Paul is Dead" conspiracy. While skeptics may dismiss such claims as fanciful conjecture, the persistence of anomalous sightings and the weight of circumstantial evidence continue to stoke the flames of intrigue surrounding Faul's enigmatic role as a Paul McCartney impersonator. As the debate rages on, one thing remains certain: the mystery of Faul McCartney and the shadow of Paul's demise continue to cast a long and beguiling shadow over the legacy of the Beatles.
All of this and more is discussed in Plastic Macca: The Secret Death and Replacement of Beatle Paul McCartney.
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